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Scale and Scaling Back

11/2/2015

3 Comments

 
When we start out into a new area of costuming in the SCA, it is very common (and perfectly acceptable) to base your work on what other reenactors are doing or teaching, or on things you see people wearing at events.  Sometimes we get hooked on a specific time or place and start to dig deeper into academic works and eventually start to reevaluate what we have been doing.  Many things are open to interpretation, or reinterpretation, as time passes and more evidence becomes available.
 
As I start to base my work and my kit more on evidence and less on what other others are choosing to do, I really am seeing the importance of both looking closely at certain details in order to both avoid reenactorisms and to present the best image of what I think a woman of the Viking era would have worn.  During this process, I am finding it very important to look at scale of certain items and equally important to look at scaling back some other things.

Below are things that I am working on or towards in my own upper class Viking kit:
 
Scale
  • Trim:  Most trim (when used at all) was in the form of tablet-woven bands or silk strips and most of these were less than a half an inch wide.  Some of the silk I used in the past was far too wide (and glaringly the wrong patterns).
  • Cording:  When braid or cord was used to trim the edges of garments, it was only a few millimeters wide (typically 2-3mm with the “coarse” braids being labled as 4-5mm). 
  • Textiles:  The garments from upper class graves were well woven and of fine threads with high thread counts.  Even many of the garment textiles from reports that were classified as “coarse” were not thick, rough burlap that one would imagine Dark Ages folk wearing. 
  • Patterned Fabrics:  In my survey of patterned textiles I discovered that plaids used in garments were typically very, very tiny and stripes were narrow.  I have used large plaids in the past, but will have a more watchful eye when looking for textiles like these in the future.  (Survey can be found here: http://awanderingelf.weebly.com/blog-my-journey/viking-textiles-a-deeper-look-at-plaids-stripes-and-checks )
  • Belts:  Historically these were much narrower than those we often seen used in the SCA (very narrow in many cases).  While I do not always wear a belt (as I think that it was less common for a well to do woman to wear a belt), I have already selected a belt that is less than half an inch wide for when I do need or want one.
  • Stitches:  In the past I did some very bold rows of running stitches (in contrasting thread) on garments that visibly stood out.  I am now looking to use smaller stitches and often it is in the same color as the garment or in a natural color (ivory or natural linen typically if I am using linen thread).
  • Loops/straps:  Most of the extant loops from smokkrs were less than half an inch, and some were much, much narrower than that.  My early dresses were a bit over half an inch, but later garments I made were more narrow and I find them just as comfortable and functional as wider ones and like the look better.
 
 
Scaling Back
  • Sleeves:  The extant sleeves we do have all taper towards the wrist.  I have a few dresses on which I love the sleeves, and plan to modify that pattern to better match the narrow cuffs on extant pieces.
  • Hemlines:  I think many of my early dresses are far too full.  The lines that would be created by the Hedeby smokkr fragment would slim.  The gores found at the same site were also much more narrow than those I often cut for myself.  The more recent slim garments I have made still offer room for movement and I much prefer them now.  I plan to work more with these layouts to see how I can further improve the design.  These also use less fabric, which I find to be an important consideration.
  • Beads:  Even some of the most extravagant graves have only a few beads or a single strand.  Festoons and giant swags of beads were just not common, even among the wealthy.  Over the years I have amassed quite a collection of handcrafted beads that I adore, but now I typically choose to wear one strand at a time rather than all of them at once. 
 
I love discovering new knowledge and love the process of recreating my presentation based on that.  I look at some of my early works and see that there is little to no evidence to support choices I made, but I still learned a great many things as I crafted each item.  I just as much look forward to new directions (and new garb)!

3 Comments
Amy
11/2/2015 03:09:51 pm

I'm in about the same place as you, and contemplating many of the same things in my own Viking garb (though I've started calling it Norse instead of Viking even). Two things I'm considering that didn't make your list: proper colours of fabric, and fur trim. I'm coming to terms with the fact that smokrs were linen and white (linen is hard to dye naturally!) and that my dark navy-blue apron dress just wouldn't have existed, and that those four-panel caps trimmed in long fur don't have a strong basis in reality either.

Reply
Alfrun
11/2/2015 08:17:24 pm

Hello! I love to meet folks on the same journey! (And yes, Early Norse is really a better term than Viking, and I often use them interchangeably in an SCA context.)

As for color, that is something I have been working with for many years already, but it does not fit much into the concept of scale so I did not list it here. There is ample evidence of wool and dyed smokkrs though. Most of the extant ones were blue or brown (plenty of examples of blue diamond twill wool and brown wool such as the Hedeby fragment), and I believe that the Oseberg Queen's costume likely followed that format as well (her's was red wool). It was initially believed that her dress was not an aprondress because of lack of brooches in the grave, but there was no jewelry there at all due to looting, so give the time period and the other graves in the region, I believe it more than possible.

As for linen, it definitely does not dye well, however, blue is the one color that does stick nicely (look at Pskov). I still think that dye was possible on other linen items, it just would not have been the rich colors we have today in linen. And I defintiely think that dye would only have been used on linen for dress goods, not "every day". Too much effort to spend otherwise as the they would likely need to be redyed at some point.

Now, that being said, most of my wardrobe is linen because I need it for Pennsic, so I try now to at least use colors of linen that could have been found on period wool so that I am staying somewhat in the proper spectrum.

I am totally with you on the caps. They are attractive, and I know that people cite Birka, but I cannot track down the citation in the materials myself (it is on the to-do list, lol). I think fur was more likely to be used inside for warmth than as an external decoration.

Reply
Alfrun
11/2/2015 08:21:54 pm

Also remember (if you are trying to document blue linen) that there were several linen plaids from sites that had some of the threads dyed blue. And I believe there was a blue linen loop found somewhere as well (aside from Pskov), but I will have to double check my notes on that later as I could be mistaken. (I have a running list I keep of colored linen finds, it is just not on this computer.)

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